![]() Until relatively recently, Microsoft didn't make its own hardware, and compared to macOS, a Windows machine can still can feel like a selection of parts and drivers. While on the surface, performance, value for money and configurability all seem like obvious wins for Windows, there are potential downsides to consider. The odds are, there is likely to be a Windows machine that could suit a bespoke working environment more readily than a Mac. The biggest advantage to moving to Windows is that there is a much wider choice of form factors available to you: everything from touchscreen laptops to enormous 12 GPU card-equipped desktops and tablet computers that are capable of any 3D work you want to throw at them. Wacom's MobileStudio Pro range show Windows' ability to adapt to a variety of form factors The second benefit of Windows is its speed – I have always found viewport performance in 3D apps to be superior on Windows to Mac. Only the HTC Vive is currently supported on macOS. If you want to work with a VR-certified machine, Windows is still a better environment – and especially if you're using Oculus Rift. Most software is now tied to the user and for all the big names – Cinema 4D, Maya, the Substance suite and Adobe's Creative Cloud suite – you can access your account by simply logging in and downloading the Windows version. First of all, app switching is, on the whole, pretty painless. Let's start by concentrating on the good points about Windows. Get free admission to VERTEX 2019, the ultimate event for 2D and 3D artistsĪs an artist who has used a mixed Windows and macOS environment for my professional work for the past four years, I can offer some insight to macOS users who might want to make the switch.With Thunderbolt 3 and solid external GPU support now key parts of macOS, can this new push by Apple make macOS-based 3D artists ignore the pull of Windows? The chronology of Keating's Foras Feasa ar Éirinn dates his reign to 143–173, that of the Annals of the Four Masters to 165–195.That said, the iMac Pro still a very compelling option for a large number of digital content creators. The Lebor Gabála Érenn synchronises Art's reign with that of the Roman emperor Commodus (180–192). However, according to Keating, Achtan was Art's official mistress, to whom he paid a dowry of cattle his wife, and the mother of his other children, was Medb Lethderg. Art's son Cormac was conceived that night. It had been prophesied that a great dignity would come from Olc's line, and he gave Art his daughter Achtan to sleep with. According to legend, Art was given hospitality by Olc Acha, a local smith, the night before the battle. He defeated and killed Art in the Battle of Maigh Mucruimhe in Connacht. He made an alliance with Benne Brit, son of the king of Britain, raised an army of foreigners, and returned to Ireland. Ailill's foster-son Lugaid mac Con was wounded in the thigh in the battle, and was exiled from Ireland. During his reign Conaire's sons took revenge against Nemed and his allies, the sons of Ailill Aulom, in the Battle of Cennfebrat in Munster. Īrt succeeded to the High Kingship after his brother-in-law Conaire Cóem, was killed by Nemed, son of Sroibcenn, in the battle of Gruitine. When Art and Delbchaem return to Tara, Delbchaem banishes Bé Chuille from the land, returning fertility to the region. Art travels to the Land of Wonder, facing untold dangers and is forced to kill Delbchaem's mother a fearsome and supernatural figure, who has been foretold by druids that she would be killed by a suitor of her daughter. In another variant of the myth, Bé Chuille places a geis on Art, after he loses at a game of fidchell under which he must leave Ireland never to return until he can find and rescue the maiden Delbchaem ("Fair Shape"). The injustice caused famine in Ireland, until Art forced Bé Chuille to leave as a forfeit in a game of fidchell. ![]() Biography Īnother fairy woman, Bé Chuille, who had been banished to Ireland by the Tuatha Dé Danann, fell in love with Art, but, when she learned his father Conn was still alive and a widower, agreed to marry him instead, on the condition that Art be banished from Tara for a year. ![]() Geoffrey Keating says he had two brothers, Connla and Crionna, who were killed by their uncle Eochaid Finn. After that, Art was alone and gained his nickname, Art Óenfer. Art mac Cuinn ("son of Conn"), also known as Art Óenfer (literally "one man", used in the sense of "lone", "solitary", or "only son"), was, according to medieval Irish legend and historical tradition, a High King of Ireland.Īccording to the legend, Echtra Condla, he was not Conn's only son: he had a brother called Connla, who fell in love with a fairy woman, and went with her to Mag Mell, never to be seen again.
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